is a comprehensive introduction to the British tradition of cultural studies. Turner offers an accessible overview of the central themes that have informed British cultural studies: language, semiotics, Marxism and ideology, individualism, subjectivity and discourse. Beginning with a history of cultural studies, Turner discusses the work of such pioneers as Raymond Williams, Ri...(展开全部)

本书广泛触及英国文化研究的核心主题，包括语言、符号学、马克思主义和意识形态、个人主义和主体性、论述等面向。

本书广泛触及英国文化研究的核心主题，包括语言、符号学、马克思主义和意识形态、个人主义和主体性、论述等面向。

Cultural Studies: A Critical Introduction is a wide-ranging and stimulating introduction to the history and theory of Cultural Studies from Leavisism, through the era of the Centre for Contemporary Cultural Studies, to the global nature of contemporary Cultural Studies. Cultural Studies: A Critical Introduction begins with an introduction to the field and its theoretical his...(展开全部)

"Cultural Studies: A Critical Introduction" is a wide-ranging and stimulating introduction to the history and theory of Cultural Studies from Leavisism, through the era of the Centre for Contemporary Cultural Studies, to the global nature of contemporary Cultural Studies. "Cultural Studies: A Critical Introduction" begins with an introduction to the field and its theoretical hi...(展开全部)

詹姆斯·鲍威尔（James M. Powell），美国雪城大学中世纪史教授，曾任普林斯顿大学高等研究院客座研究员。著有《一次十字军运动剖析，1213至1221年》（Anatomy of a Crusade，1213-1212）（获约翰·吉尔马里·谢伊奖）和《布雷西亚的阿尔伯塔努斯：13世纪初的幸福追寻》（Albertanus of Brescia：The Pursuit of Happiness irl the Early Thirteenth Century）。

詹姆斯·鲍威尔（James M. Powell），美国雪城大学中世纪史教授，曾任普林斯顿大学高等研究院客座研究员。著有《一次十字军运动剖析，1213至1221年》（Anatomy of a Crusade，1213-1212）（获约翰·吉尔马里·谢伊奖）和《布雷西亚的阿尔伯塔努斯：13世纪初的幸福追寻》（Albertanus of Brescia：The Pursuit of Happiness irl the Early Thirteenth Century）。

Performance Studies: An Introduction marks the coming of age of performance studies not just as an acknowledged field of study but as an influential anti-discipline. - James Harding, Theatre Journal A very effective summary of a lifetime of major creative and scholarly experiment that is almost certainly already having a major influence on numerous students in many drama, theat...(展开全部)

This second edition of Cultural Theory provides a concise introduction to cultural theory, placing major figures, traditional concepts, and contemporary themes within a sharp conceptual framework. Provides a student-friendly introduction to what can often be a complex field of study Updates the first edition in response to reader feedback and to the changing nature of the ...(展开全部)

编者吉尔·内尔姆斯（Jill Nelmes），东伦敦大学电影学高级讲师，教授从本科到研究生的一系列课程，学术研究的重点包括性别与电影以及剧本创作。她是威尔士联合教育委员会媒体研究专业的监审员，近两年在加州大学洛杉矶分校研究剧本创作学并供职于洛杉矶电影界。关于本书其他撰稿人的情况，请见书中专页的详尽介绍。 译者李小刚，1957年8月出生，曾任职中国艺术研究院《文艺理论与批评》编辑部。1996年至今，任《世界电影》双月刊副编审。主要论文、序跋和导读多篇，散见《电影艺术》《青年文学》《文艺报》《世界电影》等报刊。发表的主要译文（含电影剧本）约50余篇，散见《世界电影》1994年至今各期。编著有《希区柯克经典悬念电影小说集》《九十年代世界流行影片》《鬼眼：世界经典恐怖电影小说集》《万事由来》（含合编）等。另有译著《权力伙伴：克林顿与希拉里的美国》《美国与东亚...(展开全部)